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Dorothy “Dodo” Carlton Smyth (1880-1933), born in Glasgow, trained under Walter Crane at the Manchester School of Art between 1893 and 1897 and then went…

With the original prospectus with a slightly chipped fore edge.

With the book label of Brian Douglas Stilwell. The publisher’s printed note on the text is inserted loose.

The fascinating 18th century letters of Charlotte Biggs, in which she relates stories of love, intrigue, abduction and rape.

Hutton gave his ground breaking address in a paper read to the Royal Society of Edinburgh in 1785 and this 1788 printing was the Society’s…

An enchanting graphic tale with no text telling the story in linocuts of a tree house over the years.

Ravilious’s sensitive engravings chart the course of the year for nature and mankind.

A superb and important examination of typography.

Edited by W.N. Roughead, this thorough collected edition gathers together all the verses that Belloc had previously published, including those privately printed.

The first book and third publication of the press. One of AIGA’s ‘50 Books of the Year’ for 1930.

One of three dramatic double pages engraved for ‘Pennant and his Welsh Landscapes’ printed by Gwasg Gregynog in Wales in 150 copies in 2006. The…

Ron King’s first artists’ book, The Prologue, was printed in 1967 using Chaucer’s Canterbury Tales’ text accompanied by 20 silkscreen mask-like prints representing the major…

The book was originally published in 1908 but this was the first edition with illustrations that Kenneth Grahame approved and the only edition he signed.…

Written as entertainment for her grandchildren, Sand uses one of the great literary themes in The Wings of Courage as she tells the story of…

The Ecclesiasticus is a remarkable piece of press work by The Ashendene Press, printed after the death of Faulkner under the guidance of the great…

With an introduction by Fiona Maccarthy.
Inserted loose is a letter from David Esslemont presenting this first special copy which describes his binding process:
“My design is…

The book was produced to celebrate 50 years of Martin’s career as a wood engraver, and ‘jobbing artist’. He learned wood engraving with Gertrude Hermes…